Відео

thanks I am child and you are my role model

El Chombo saxophonist

utterly brilliant ! i love that I can learn music without annoying the flat below 🙂keep up the great work !!!

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First off thank you for such comprehensive video on saxophone. I am trying to play a song with C Major scale but its annotated in number like 1,2,3,4,5 there is some number like 5 and 6 annotated with a dot above them, how do you play those notes?

Good evening, could tou please tell me how to turn off the tap tempo anoying blinking light? Thx

Excellent review. Concise, articulate, right to the point, no nonsense. Thank you

Thanks! Very through

Im experimenting with offcenter embochure and seems to work a bit better and i do not understand why

Nice, I need to make a studio, I can use this as reference in future

Singing (even if done badly) helps a TON. It teaches you to not "pull" the chest voice and instead have the head and chest mix so you go up with no strain, your larinx does change and if you take that same concept to the sax you are more than half way there already

Right, I've private tuition with great teacher, I ve been watching a lot UA-cam tutorials how to play altissimo. I had no probs to play Ab but no way to go higher, only because I was missiconcept voice movement and I was pushing downward. All this for entire year (just to learn alts)!!! Until last night when by accident I found this video. Although all others say similar principles but you made it for me. Next morning (today) play (unstable but play) altissimo D with no problem! Never thought I'll be able to do. Many, many thanks

would it be practical to put a bed inside? I get woken up by traffic noise

😍

this is the best educational video i've found on this website, wow! i was confused by so much, but this video cleared everything up for me. thank you so much!

Thank you so much prof this helped my daughter 😊😊

looks like rockwool.

Really good video man. Appreciated.

Thank you so much for this informations, you are the best🎉🎉

this is so helpful thank you!

God bless You my friend! All best from Poland, Your Videos are the hammer!

Great explanation! Thank you!

so ... how do you breathe

Sir ji you have explained English notation in a very good way in the form of pdf. Please make more such videos which can help us in learning English notation. Heartfelt thanks to you🌹🙏

4:28 again seemingly like this

3:00 like this, what embouchre is this

Hey og elder man☮️ 1:26 I just started I have a teacher he’s classical based embouchre. I don’t mind tbh knowledge is power! However after 4 weeks I noticed mine looking similar to this… not totally but gradually.. I also have you know thick lips. Any advice?

Great tutor,well done sir

This was extremely informative!!

This was the first video that allowed me to play into the altissimo range. Thank you for the great video!

Thank you! very helpful, cheers!

Excellent video

bro i used soprano sax what i need to do man lol i don't need the stand but i still wacht it lol

Clearly stated, relevant, useful and appreciate.

In the dictionary from English to my language, there's no difference between plasterboard and drywall - they all translate as my language's version that literally translates back to English as "gypsum board". Those boards can actually amplify sound by 3..6 dB IIRC and you need two layers - as used in the video - to try to get rid of that. However, I learnt that it is better to have two different thickness layers than two identical ones. In that case, however, there is directionality to the sound deadening. With identical layers, the sound coming through is strongest at the resonant frequency of the board and when both are the same, they can excite each other. When they are different thickness, these frequencies differ and deadening can improve but you need to decide what you want to prevent: sound getting out or coming in. The video is extremely good at all levels and the options for improvement illustrate very good underlying research. What does not get mentioned explicitly is the difference between "air sound" and "contact sound". The more expensive and thicker staggered wall option reduces on the "contact sound" much better, and the "cabin in cabin" takes that to another level. In these latter options, the added air gap helps and added insulation too. On the inside, the hard walls will bounce a lot of sound around and the cabin may not be as "dry" (free from echo, reverb) as you would want. This is amplified by parallel walls. In the example here, the slanted ceiling already makes floor-ceiling not-parallel, but you could slant side walls too. That's a lot more difficult to construct, however. And it is easier to cover the walls with damping material. While this is a great solution for brass soprano, alto, and tenor instruments, let's not forget that human soprano, alto, and tenor voices can produce a lot of deciBels too. So for singers who need to practice their scales and warming ups, or arias, at "live performance" level, this booth is an ideal solution too.

The metric 38mm * 63mm is still called 2"*3"in my country because it is 2"*3" (50.8mm*76.2mm) rough wood that got planed

Thanks a lot Ken: this has certainly helped to solve a problem i've been having ref. getting a good sound.

Fantastic video. Very thorough, well researched and presented. Thank you!

The cork you started with, was that simple clarinet tenon cork or another thickness bought from a hardware store. What you did looks very professional. Great job.

I don't know how to play without the Double Liped embouchure. Is that normal for some player ?

great vid, thank you!!

i just started playing sax again after a long break. playing the beginner mouthpiece i don't get any squeaks, then i upgraded to a bettersax mp and i'm getting a bit of squeak, i'm assuming it's pilot error

Excellent video with lots of practical tips! I found a softer reed (going down at least a half strength) and Legere synthetic reeds (Signature and American Cut) make it much easier to play the lowest notes under control. I used to think going down on reed strength was a sign of weakness. I now realize, thanks in part to your videos, that’s not true. The challenge for me is finding a reed that is soft enough for the lowest notes, but hard enough for the highest notes as I continue to strengthen/improve my embouchure. Thank you!

Thank you❤❤❤❤❤❤❤

I have given up trying to produce a good sound. I have been very fortunate in having some of the best instruments and mouthpieces at my disposal including, Zephr, Yamaha, Buescher, Conn , Selmer , Keilwerth , Courton etc etc and all that I have been able to produce is the Bombay Taxi Horn sound. So I have decided to concentrate exclusively on subtone playing. I have mastered the classical subtone with double lip embouchure as well as with the single lip embouchure on tenor and alto. I now intensely desire to be able to play jszz subtone on tenor and alto. Please do help me find suitable instructions or tutorials or pdfs or videos etc etc. Thanking you,

Do you have a video detailing the method or methods of producing the jazz subtone with single lip and double lip embouchure?

This is AWESOME.......Bud......Thank-you so much for 'tactfully' telling people not to collect 'junk' !!!

This is a super introduction to saxophone for beginners. I teach saxophone to beginners and I always follow this model. Thanks.

6:45 where is this information from? Do You have the same for the tenor?

Grazie